1971—Hal is seventeen, with dreams of escaping from Moorabool to a life in the city. But right now he’s on a good behaviour bond and stuck in a job he hates, paying off the car he ‘borrowed’ and crashed. Hal’s packing-room job makes him a target for workplace bullies and the friendship of the older, more worldly Christine is all that makes each day bearable. So when she doesn’t turn up for work, he’s on the alert.
So is Sergeant Mick Goodenough. But he already knows what’s happened to Christine: the same thing that happened to the newly elected deputy mayor. When another gruesome ‘accident’ occurs in Moorabool, Goodenough suspects there’s something sinister going on behind the scenes at the abattoir.
Mick and Hal are both determined to dig up the truth. Before long each of them is going to find himself in mortal danger and running for his life.
Greg Woodland, author of the acclaimed The Night Whistler, returns with another nailbiting rural thriller that will have you on the edge of your seat.
Published 2 August 2022 | Publisher: Text Publishing | RRP: AUD$32.99
A follow up on The Night Whistler, The Carnival is Over is set approximately 5 years after the events in The Night Whistler. Hal and Allie are on the verge of adulthood and Mick Goodenough promoted to Sergeant and quite settled in Moorabool. And yet, he still likes to rock the boat especially when he’s got his teeth into a puzzling mystery.
The Carnival is Over is a thoroughly enjoyable complex mystery that kept you guessing all the time with just enough suspense to get your heart racing. The switch of views from character to character were done smoothly and flawlessly that I had no problem following. If you like The Night Whistler, then you’d love The Carnival is Over.
My thanks to Text Publishing for ecopy of book via NetGalley in exchange of my honest thoughts
About the author
Greg Woodland is an author, screenwriter and former director. Since 2000 he’s worked as a freelance script editor and consultant for film funding bodies and the Australian Writers’ Guild and taught screenwriting at Sydney film schools and universities. His first novel, The Night Whistler, was shortlisted for a 2021 Ned Kelly Award.
There were a dozen witnesses to Denny Tran’s brutal murder in a busy Sydney restaurant. So how come no one saw anything?
‘Just let him go.’ Those are words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation. That night in 1996, Denny – optimistic, guileless, brilliant Denny – is brutally murdered inside a busy restaurant in Cabramatta, a Sydney suburb facing violent crime, an indifferent police force, and the worst heroin epidemic in Australian history.
Returning home for the funeral, Ky learns that the police are stumped by her brother’s case: several people were at Lucky 8 restaurant when Denny died, but each of the bystanders claim to have seen nothing.
As an antidote to grief and guilt, Ky is determined to track down the witnesses herself. With each encounter, she peels away another layer of the place that shaped her and Denny,exposing the trauma and seeds of violence that were planted well before that fateful celebration dinner: by colonialism, by the war in Vietnam,and by the choices they’ve all made to survive.
Tracey Lien’s extraordinary debut pulls apart the intricate bonds of friendship, family, culture and community that produced a devastating crime. All That’s Left Unsaid is both a study of the effects of inherited trauma and social discrimination, and a compulsively readable literary thriller that expertly holds the reader in its grip until the final page.
Ky didn’t allow her mother to have feelings, because to grant her these would mean acknowledging that she was a person who had desires and dreams beyond what Ky saw. It was easier to imagine her as a caricature, as an immigrant Cabramatta parent, whose only desire was for her children to become doctors and lawyers (or ideally both), whose only means of expressing love to them was through cooking their meals, washing their clothes, and criticizing them into being better people.
My background isn’t Vietnamese nor refugee however I’m married into one and hence, this book piqued my interest. In the 90s, I was in my teens and we didn’t live anywhere near Cabramatta though we heard stories, of course. Despite Cabramatta not being my own stomping ground and my childhood, as sheltered as it was, there were many moments in the book that were just so identifiable in many different ways.
Ky is the main protagonist whom readers follow as she tried to find out how and why her brother was murdered. However, at least half of the novel is told from and of other people involved in this mystery. So much so that, near the end of the book, I feel that the structure of this novel is like a jigsaw puzzle where each piece reflects a different facet of this community and together, they form a full picture, albeit with cracks.
All That’s Left Unsaid is a novel of loss, of grief, of burdens we were given and picked up throughout our lives. Author’s prose is concise and phrases are polished to a shine; it is sharp as papercut. Please do yourself a kindness and read this book.
My thanks to Harlequin Australia for this paperback copy of book in exchange of my honest thoughts
About the author
Tracey Lien was born and raised in southwestern Sydney, Australia. She earned her MFA at the University of Kansas and was previously a reporter for the Los Angeles Times. She lives in Brooklyn, New York. All That’s Left Unsaid is her first novel.
Obstetrician Riley Brand leaves the city behind to go in search of her mother, who’s taken leave from her marriage to pursue a passion for opal mining in the dry backblocks of an old mining town. Accepting a short-term posting as a fertility expert in Lightning Ridge, Riley plans to assist women pursue their baby dreams in remote and regional areas, while at the same time helping to rekindle her parents’ love for each other.
The small dusty community is a far cry from her polite medical practice on the North Shore of Sydney, but the down-to-earth locals soon welcome her into the fold with their Friday night social gatherings. But no one is more welcoming than enigmatic doctor Konrad Grey, the GP who’s working alongside her.
When an employee of their medical practice confesses she’s hiding an unexpected pregnancy, Konrad and Riley are thrown together in challenging and wonderful ways.
A moving and heartwarming story about new life and new loves, about the treasures to be found above and beneath the surface of a small country town, and about the important choices women must make in life.
I really do enjoy rural romance but yet I don’t read that many and this is one of my reading goals this year, to read some more! The Opal Miner’s Daughter is definitely an excellent rural romance read and I’m thrilled to have been sent one for review. I must say that the title somehow led me to have had a different expectation. It just sounds more like one of those historical fiction with family tragedy etc etc but it is very much NOT. Also, I know 2 boys named Riley and having a female protagonist named Riley kind of messed with my head a bit; I kept having to check myself.
Dr Riley Brand is an intelligent and independent woman. She is a strong sensible character and I just love this to bits! She was fun, sensitive, and easy going except when it comes to a certain gorgeous doctor in town. And even then, she was open to learn. All the other women in this novel were just as amazing and the men were funny but overall this small community in Lightning Ridge was wonderfully tight-knitted.
The Opal Miner’s Daughter is a light-hearted romantic read; one that ended with my sigh of contentment. However, it also tackled tough issues such as stigma of illness, infertility, depression, and a few other things, and done in such beautifully sensitive way that didn’t make the reader sad but hopeful. An utterly delightful and pleasing read.
My thanks to Penguin Random House for this paperback copy of book in exchange of my honest thoughts
About the author
Fiona McArthur has worked as a midwife for thirty years. She is the clinical midwifery educator inner rural maternity unit and teaches emergency obstetric strategies while working with midwives and doctors from remote and isolated areas.
Fiona has written more than thirty romances, which have sold over two million copies in twelve languages. She has been a midwifery expert for Mother and Baby magazine and is the author of Aussie Midwives. She has also written the novels Red Sand Sunrise, The Homestead Girls and Heart of the Sky. She lives on a farm in northern New South Wales.
Happiness has a way of catching up with you, even when you’ve given up trying to find it.
Tilly doesn’t believe she can ever be happy again
Fourteen-year-old Tilly’s world is torn apart when her single mother dies suddenly and she is sent a million miles from everything she has ever known to a small country town and a guardian who’s a total stranger.
Kate is sure she will be happy just as soon as she achieves her dream
In the picturesque mountains of Far North Queensland, Kate is trying to move on from a failed marriage by renovating a van and making plans for an exciting travel escape. The fresh start she so desperately craves is within reach when an unexpected responsibility lands on her doorstep.
Olivia thinks she’s found ‘happy enough’ until an accident changes everything
Ageing former celebrity actress Olivia is used to winning all the best roles in her local theatre group, but when she’s injured while making a grand stage exit, she is relegated to the wings. Now she’s determined that she won’t bow out quietly and be left alone with the demons of her past.
When these lost souls come together under the roof of the Burralea Amateur Theatre group, the countdown to opening night has already begun. Engaging with a diverse cast of colourful characters, the three generations of women find unlikely friendship – and more than one welcome surprise.
From the bestselling author of The Garden of Hopes and Dreams comes a heartwarming and uplifting story about the joys of new beginnings.
Isn’t it just the cutest book cover!? And that title, I feel that I’m guaranteed an easy, light-hearted, and uplifting read which my mood tells me I need these days. It did not disappoint; The Happiest Little Town certainly made me happy.
I find it always touching when 3 generations of women are brought together. I love to see the effect they have on each other. In this novel, the mix of Olivia’s wisdom, Kate’s generosity, and Tilly’s grief made a lovely cocktail of lasting friendship. I am in Kate’s age group so while I was rather frustrated with some of Tilly’s decisions and actions, they are rather understandable considering her loss. I am in awe of Kate’s heart and her generosity… it’s not Tilly’s fault that she is who she is but golly, Kate was just so very kind.
While the story revolves our 3 main protagonists above. There were bits and pieces about other residents of this town that made it The Happiest Little Town. They may not be that relevant to the plot as such but they do make the town more 3-dimensional. And what’s a town without its people?
The Happiest Little Town‘s residents may not be happy aaallll the time as each of them have either had difficult pasts or are still struggling to come to terms with those pasts. However, they do know to pick themselves back up and let’s just say it’s a happy ending all around. Such a comfort read and truly, I just want to give this book a cuddle – that’s how much I enjoyed it.
My thanks to Penguin Random House for this paperback copy of book in exchange of my honest thoughts
About the author
Barbara Hannay writes women’s fiction, with over twelve million books sold worldwide. Her novels set in Australia have been translated into twenty-six languages, and she has won the Romance Writers of America’s RITA award and been shortlisted five times. Two of Barbara’s novels have also won the Romance Writers of Australia’s Romantic Book of the Year award.
Barbara lives in Townsville with her writer husband and enjoys being close to the Coral Sea, the stunning tropical scenery and colourful characters, all of which find their way into her popular stories.
ONE SHIPWRECK.
TWO MISFITS.
THREE CENTURIES APART.
1629. Embarking on a journey in search of her father, a young girl called Mayken boards the Batavia, the most impressive sea vessel of the age. During the long voyage, this curious and resourceful child must find her place in the ship’s stratified world. She soon uncovers shadowy secrets above and below deck and as tensions spiral, the fate of the ship and all on board becomes increasingly uncertain.
1989. Gil, a boy mourning the death of his mother, is placed in the care of his cranky grandfather. Their home is a shack on a tiny fishing island off the West Australian coast, notable only for its reefs and wrecked boats. This is no place for a boy struggling with a dark past, and Gil’s actions soon get him noticed by the wrong people.
The Night Ship is an enthralling tale of human brutality, fate and friendship – and of two children, hundreds of years apart, whose destinies are inextricably bound together.
“The dead can’t hurt you, Gil. It’s the living you need to watch out for.”
I read a history book on Batavia a few years ago so I knew the horrific things that went on then. I was curious though with the last line of the book description, “two children, hundreds of years apart, whose destinies are inextricably bound together.” This seems like a timeslip sort of read to me which is a favourite of mine.
Of course, then, there are 2 perspectives: Mayken in 1629 as a passenger of Batavia and Gil in 1989 as boy coming to live with his grandfather on Beacon Island. Neither fit their expected moulds and seek to express their individualism which attracted scorn and more. There wasn’t actually a huge link between them but what there was keeps making me think that there was going to be more. Sitting back after the read, however, I thought what there was was rather sweet in its poignancy and nothing more is needed.
The Night Ship is a story of grief and courage; the depravity of people and also the loving side of human nature. It’s all bound up together is a messy knot but you just can’t give up hope. A terribly riveting read as I could truly imagine myself being tossed about by the waves on a ship made of wood and all kinds of horrible smells abound. I was completely mesmerised by the characters and very much under their spells as I just needed to know what happens to them at the end.
My thanks to Penguin Random House for this paperback copy of book in exchange of my honest thoughts
About the author
Jess Kidd is the author of Things in Jars, Himself and The Hoarder (also titled Mr. Flood’s Last Resort in the U.S.). She was the winner of the 2016 Costa Short Story Award. Jess’ debut novel, Himself, was published by Canongate in October 2016. The Hoarder, her second novel, hit the shelves in February 2018. Jess’s third novel Things in Jars came out 4 April 2019 and the fourth, The Night Ship is due out August 2022. Her children’s book Everyday Magic came out in 2020. She is also currently developing her own original TV projects with leading UK and international TV producers.
A big-hearted story of love and resilience, starring sisters and storytellers Peijing and Biju, a lost family finding their way, a Little World made of paper, a Jade Rabbit, and the ever-changing but constant moon.
Making mooncakes with Ah Ma for the Mid-Autumn Festival was the last day of Peijing’s old life. Now, adapting to their new life in Australia, Peijing thinks everything will turn out okay for her family as long as they have each other – but cracks are starting to appear.
Her little sister, Biju, needs Peijing to be the dependable big sister. Ma Ma is no longer herself; Ah Ma keeps forgetting who she is; and Ba Ba, who used to work seven days a week, is adjusting to being a hands-on dad.
How will Peijing cope with the uncertainties of her own little world while shouldering the burden of everyone else? And if Peijing’s family are the four quarters of the mooncake, where does she fit in?
What we all should be is our favorite versions of ourselves
I am very privileged to have been gifted this copy by the author, Shirley Marr, and even as I got to read this second (my 12 yo got his hands on it first), I am truly humbled by the reading experience. Such a moving story overflowing with feelings and many sage advices.
The novel opens with a beautiful celebration of Mid Autumn festival amid the utter shambles of moving. The Guo family is leaving the very next day, to fly over the vast ocean, away from the embrace of their big noisy family. They are moving to Australia for a better job for Ba Ba (father), better education for the girls, and a better life for all the family. I remember my own big move to Australia and all the feelings which Peijing, our protagonist, struggled with; it’s big and complex and the author has caught all this perfectly in Peijing.
The Guo family is made up of some truly beautiful characters: wise Ah ma (grandmother), surprisingly involved Ba Ba (father), broken but strong Ma Ma (mother), a very good older sister (Peijing the protagonist), and a lively younger sister (Biju). They are not perfect but they are a family. While the story is told from Peijing’s perspectives and we see her struggles most (especially in the big adjustment of a new country), we see many bits and pieces of the others as they face their own struggles. It makes a very poignant tale.
While I arrive in Australia a decade later than the setting in this book, the very real push & pull between cultures, past & present, adults & children still do exist. Even today, I struggle on what I should adopt or preserve and instil in my own children! This novel explored all these and more. We were shown thoughts and feelings from different characters, both children and adult. I loved this part of the story as this is an ongoing struggle, every day, and I’m so happy to be able to share something like this with my children who are so lucky to have been born and living in Australia.
In between chapters, we are given snippets of stories Biju tells Peijing. These stories are mythology based orally told which she first heard from the older generation. These stories are weaved in throughout the main plot of the novel and also in a way, are reflected in life lessons. As usual, these stories usually have moral lessons but as you hear them from a 5 year old, their take (as you know) can be quite refreshing and sometimes, enlightening. I can’t help but snort laugh at some of their perspectives of these stories/morals.
All Four Quarters of the Moon is a story about a young girl. Of 2 sisters. Of everlasting friendships. Of cultures and growing up. Of the fragility and preciousness of life. But at the very centre of it, a heartwarming story of family.
My heartfelt thanks to the author for sending me an uncorrected proof of this book. All thoughts are honest & mine
About the author
Shirley Marr is a first-generation Chinese-Australian living in Perth and an author of young adult and children’s fiction, including YA novels Fury and Preloved, and children’s novels Little Jiang and A Glasshouse of Stars. She describes herself as having a Western mind and an Eastern heart. She likes to write in the space in the middle where they both collide, basing her stories on her own personal experiences of migration and growing up in Australia, along with the folk and fairy tales from her mother. Arriving in mainland Australia from Christmas Island as a seven-year-old in the 1980s and experiencing the good, the bad and the wonder that comes with culture shock, Shirley has been in love with reading and writing from that early age. Shirley is a universe full of stars and stories and hopes to share the many other novels that she has inside her.
Set in Crete during World War II, Alenka, a young woman who fights with the resistance against the brutal Nazi occupation finds herself caught between her traitor of a brother and the man she loves, an undercover agent working for the Allies.
May 1941. German paratroopers launch a blitzkrieg from the air against Crete. They are met with fierce defiance, the Greeks fighting back with daggers, pitchforks and kitchen knives. During the bloody eleven-day battle, Alenka, a young Greek woman, saves the lives of two Australian soldiers.
Jack and Teddy are childhood friends who joined up together to see the world. Both men fall in love with Alenka. They are forced to retreat with the tattered remains of the Allied forces over the towering White Mountains. Both are among the 7000 Allied soldiers left behind in the desperate evacuation from Crete’s storm-lashed southern coast.
Alenka hides Jack and Teddy at great risk to herself. Her brother Axel is a Nazi sympathiser and collaborator, and spies on her movements.
As Crete suffers under the Nazi jackboot, Alenka is drawn into an intense triangle of conflicting emotions with Jack and Teddy. Their friendship suffers under the strain of months of hiding and their rivalry for her love. Together, they join the resistance and fight to free the island, but all three will find themselves tested to their limits. Alenka must choose whom to trust and whom to love and, in the end, whom to save.
whoever fights monsters need to take care they do not become a monster themselves
The Crimson Thread is one of my highly anticipated 2022 release. Primarily due to Kate Forsyth being a favourite author of mine, starting with her earlier fantasy series and also, I have mostly enjoyed her ‘series’ of loose fairy tale retellings. Her novels always feature strong and intelligent heroines determined to carve their own places in the world and not where society expects them to.
I love WWII stories so I thought for sure this one was going to be a winner for me. BUT! Love triangles, oh, I wanted to cry… However, Forsyth’s writing was just so immersive that it kept drawing me on and on to the ending. I have a deep seated anxiety that usually, I would have dropped the book like a hot potato. Her lyrical writing with her clever weaving of Greek mythology were such that I couldn’t bear not to finish. Of course, it helped that one other character was a definite putz so you could tell earlier on which pairing is it.
5 stars for the brilliant craft and prose but I just had to take off one teeny bit little star because I was just too too upset with the triangle trope. The Crimson Thread is a mesmerising story of courage and resilience, friendship and betrayal, and of course, of love.
My thanks to Penguin Random House for this paperback copy of book in exchange of my honest thoughts
About the author
Dr Kate Forsyth is an award-winning author, poet, and storyteller. Her most recent novel is The Crimson Thread, a reimagining of ‘The Minotaur in the Labyrinth’ myth set in Crete during the Nazi invasion and occupation of World War II.
Other historical novels include Beauty in Thorns, a reimagining of ‘Sleeping Beauty’ told in the voices of four women of the Pre-Raphaelite circle of artists and poets; The Wild Girl, the story of the forbidden romance behind the Grimm brothers’ fairy tales which was named Most Memorable Love Story of 2013; and Bitter Greens, a retelling of ‘Rapunzel’ which won the 2015 American Library Association award for Best Historical Fiction.
Kate has a Doctorate of Creative Arts in fairy tale studies, and is also an accredited master storyteller with the Australian Guild of Storytellers. She has taught writing retreats in Australia, Fiji, Greece, and the United Kingdom.
‘I was confined, locked into my library, tracing my heartbeats from way, way back.’
In Telltale, Carmel Bird seizes on the enforced isolation of the pandemic to re-read a rich dispensary of books from her past. A rule she sets herself is that she can consult only the books in her house, even if some, such as the much-loved Thornton Wilder’s The Bridge of San Luis Rey, appear to be stubbornly elusive. Her library is comprehensive, and each book chosen – or that cannot be refused – enables an opening, a connection to people, time, place, myth, image, and the experience of a writing life. From her father’s bomb shelter to her mother’s raspberry jam, from a lost Georgian public library with ‘narrow little streets of books’ to the memory of crossing by bridge the turbulent waters of the Tamar River, to a revelatory picnic at Tasmania’s Cataract Gorge in 1945, this is the most intimate of memoirs.
It is one that never shies from the horrors of world history, the treatment of First Nations People, or the literary misrepresentations of the past.
Original, lyrical, and hugely enjoyable, Telltale, with its finely wrought insight and artful storytelling, is destined to delight.
Gorgeous hardback binding featuring a gleaming peacock on the front cover with vivid blue fabric spine where author’s name & title are embossed in gold. I cracked it open not knowing exactly what to expect…
Mostly, I enjoyed the language; reminiscent and poetic. As author’s pondered and meandered over her memories especially those tied with reading and writing, I found myself quite lost. This is due to the fact that I’ve not read any of author’s said works (she referred to it quite a bit so it would’ve been helpful to know what she’s talking about) compounded with all other books she grew up with of which I’ve possibly read only 10% of those mentioned in the book.
If you are a fan of Carmel Bird then I can recommend this book to you. If you are not, in fact, familiar with her work, then possibly this could be a project where you dig up books mentioned while reading this book. That might’ve been fun actually but it would take many many years as there are so many books mentioned and possibly half is out of print.
My thanks to Transit Lounge Publishing for this hardback copy of book in exchange of my honest thoughts
GIVEAWAY (ends 10-July)
I’m giving away 1x brand new hardback copy of the book (thanks to publisher for this extra copy). Please leave a comment in this post or drop by to my insta post to enter.
About the author
Winner of the Patrick White Literary Award, and three times shortlisted for the Miles Franklin Award, Carmel Bird is the author of eleven novels and eight collections of short fiction. Carmel grew up in Tasmania, and she has a wide reputation as a storyteller, essayist, editor and mentor.
Stone Town is captivating new rural crime drama from the author of the bestselling Cutters End.
With its gold-rush history long in the past, Stone Town has seen better days. And it’s now in the headlines for all the wrong reasons . . .
When three teenagers stumble upon a body in dense bushland one rainy Friday night, Senior Sergeant Mark Ariti’s hopes for a quiet posting in his old home town are shattered. The victim is Aidan Sleeth, a property developer, whose controversial plan to buy up local land means few are surprised he ended up dead.
However, his gruesome murder is overshadowed by a mystery consuming the entire nation: the disappearance of Detective Sergeant Natalie Whitsed.
Natalie had been investigating the celebrity wife of crime boss Tony ‘The Hook’ Scopelliti when she vanished. What did she uncover? Has it cost her her life? And why are the two Homicide detectives, sent from the city to run the Sleeth case, so obsessed with Natalie’s fate?
Following a late-night call from his former boss, Mark is sure of one thing: he’s now in the middle of a deadly game . . .
Cutters Ends, Hickey’s debut, was published last year and I enjoyed it tremendously so it was with keen anticipation, I cracked open Stone Town wherein, once again, we meet Senior Sergeant Mark Ariti. Hmm… confused already? I was pretty sure he was a detective and lived in Adelaide! The first few pages threw me off a bit but a bit later on, I found out that at least a year has passed since Cutters Ends. Only once I accepted that quite some time has passed and a number of personal events occurred with Ariti, did I manage to proceed with the present issue/crime.
I enjoyed this setting quite a lot especially with Mark Ariti resettling himself as a local, living in what was his mother’s but now his home, and just being in the know of the local gossips and networks. Though apparently not as well as he thought. That last twist in the epilogue was just gold!
Once more, Hickey has delivered a remarkable rural crime novel. A rather laidback pacing comparable to a rural kind of life but such twists and turns that shocked and thrilled readers all at the same time. While Stone Town is a sequel, I don’t believe that you need to read Cutters End to enjoy this one. This one reads quite well as a stand alone despite some references to earlier case but you really didn’t need to know. Fair warning, though, you’d probably want to read Cutters End after this, if you haven’t already.
My thanks to Penguin Random House for this paperback copy of book in exchange of my honest thoughts
About the author
Margaret Hickey is an award-winning author and playwright from North East Victoria. She has a PhD in Creative Writing and is deeply interested in rural lives and communities.
In every person’s story, there is something to hide…
The ornate reading room at the Boston Public Library is quiet, until the tranquillity is shattered by a woman’s terrified scream. Security guards take charge immediately, instructing everyone inside to stay put until the threat is identified and contained. While they wait for the all-clear, four strangers, who’d happened to sit at the same table, pass the time in conversation and friendships are struck. Each has his or her own reasons for being in the reading room that morning—it just happens that one is a murderer.
Woah, I thought I was ready for whatever Sulari Gentill can throw at me after that mind-bending twists of Crossing the Lines but she’s got a mean throwing arm! The Woman in the Library is a clever, imaginative thriller and so much fun to read.
The structure of the book is that of a letter from “Leo” and a chapter of story (which is found above in book description). At first, I did wonder which is “real” and which is fictional [remember, Crossing the Lines?!]. However, the author has something quite different in mind in this novel so it wasn’t quite that long before all is revealed and pretty soon, instead of one mystery, we have 2… Bonus!
As much as I enjoyed reading about the four strangers drawn together as friends, I was also very much drawn to the other mystery for which we pretty much only get Leo’s letters to read by. And yet, because of that limited scope, it’s that much more creepy and therefore, thrilling.
Another brilliant offering by a much loved author, Sulari Gentill, and one I’d highly recommend as it was very much an irresistible page-turner.
My thanks to Poisoned Pen Press for ecopy of book via NetGalley in exchange of my honest thoughts
About the author
Once upon a time, Sulari Gentill was a corporate lawyer serving as a director on public boards, with only a vague disquiet that there was something else she was meant to do. That feeling did not go away until she began to write. And so Sulari became the author of the Rowland Sinclair Mysteries: thus far, ten historical crime novels chronicling the life and adventures of her 1930s Australian gentleman artist, the Hero Trilogy, based on the myths and epics of the ancient world, and the Ned Kelly Award winning Crossing the Lines (published in the US as After She Wrote Hime). In 2014 she collaborated with National Gallery of Victoria to write a short story which was produced in audio to feature in the Fashion Detective Exhibition, and thereafter published by the NGV. IN 2019 Sulari was part of a 4-member delegation of Australian crime writers sponsored by the Australia Council to tour the US as ambassadors of Australian Crime Writing.
Sulari lives with her husband, Michael, and their boys, Edmund and Atticus, on a small farm in Batlow where she grows French Black Truffles and refers to her writing as “work” so that no one will suggest she get a real job.