All That’s Left Unsaid by Tracey Lien
There were a dozen witnesses to Denny Tran’s brutal murder in a busy Sydney restaurant. So how come no one saw anything?
‘Just let him go.’ Those are words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation. That night in 1996, Denny – optimistic, guileless, brilliant Denny – is brutally murdered inside a busy restaurant in Cabramatta, a Sydney suburb facing violent crime, an indifferent police force, and the worst heroin epidemic in Australian history.
Returning home for the funeral, Ky learns that the police are stumped by her brother’s case: several people were at Lucky 8 restaurant when Denny died, but each of the bystanders claim to have seen nothing.
As an antidote to grief and guilt, Ky is determined to track down the witnesses herself. With each encounter, she peels away another layer of the place that shaped her and Denny,exposing the trauma and seeds of violence that were planted well before that fateful celebration dinner: by colonialism, by the war in Vietnam,and by the choices they’ve all made to survive.
Tracey Lien’s extraordinary debut pulls apart the intricate bonds of friendship, family, culture and community that produced a devastating crime. All That’s Left Unsaid is both a study of the effects of inherited trauma and social discrimination, and a compulsively readable literary thriller that expertly holds the reader in its grip until the final page.
Published 30 August 2022 | Publisher: Harlequin Australia | RRP: AUD$32.99
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My Blurb (5 / 5 stars)
Ky didn’t allow her mother to have feelings, because to grant her these would mean acknowledging that she was a person who had desires and dreams beyond what Ky saw. It was easier to imagine her as a caricature, as an immigrant Cabramatta parent, whose only desire was for her children to become doctors and lawyers (or ideally both), whose only means of expressing love to them was through cooking their meals, washing their clothes, and criticizing them into being better people.
My background isn’t Vietnamese nor refugee however I’m married into one and hence, this book piqued my interest. In the 90s, I was in my teens and we didn’t live anywhere near Cabramatta though we heard stories, of course. Despite Cabramatta not being my own stomping ground and my childhood, as sheltered as it was, there were many moments in the book that were just so identifiable in many different ways.
Ky is the main protagonist whom readers follow as she tried to find out how and why her brother was murdered. However, at least half of the novel is told from and of other people involved in this mystery. So much so that, near the end of the book, I feel that the structure of this novel is like a jigsaw puzzle where each piece reflects a different facet of this community and together, they form a full picture, albeit with cracks.
All That’s Left Unsaid is a novel of loss, of grief, of burdens we were given and picked up throughout our lives. Author’s prose is concise and phrases are polished to a shine; it is sharp as papercut. Please do yourself a kindness and read this book.
My thanks to Harlequin Australia for this paperback copy of book in exchange of my honest thoughts
About the author
Tracey Lien was born and raised in southwestern Sydney, Australia. She earned her MFA at the University of Kansas and was previously a reporter for the Los Angeles Times. She lives in Brooklyn, New York. All That’s Left Unsaid is her first novel.
Fiona McArthur has worked as a midwife for thirty years. She is the clinical midwifery educator inner rural maternity unit and teaches emergency obstetric strategies while working with midwives and doctors from remote and isolated areas.
Barbara Hannay writes women’s fiction, with over twelve million books sold worldwide. Her novels set in Australia have been translated into twenty-six languages, and she has won the Romance Writers of America’s RITA award and been shortlisted five times. Two of Barbara’s novels have also won the Romance Writers of Australia’s Romantic Book of the Year award.
Jess Kidd is the author of Things in Jars, Himself and The Hoarder (also titled Mr. Flood’s Last Resort in the U.S.). She was the winner of the 2016 Costa Short Story Award. Jess’ debut novel, Himself, was published by Canongate in October 2016. The Hoarder, her second novel, hit the shelves in February 2018. Jess’s third novel Things in Jars came out 4 April 2019 and the fourth, The Night Ship is due out August 2022. Her children’s book Everyday Magic came out in 2020. She is also currently developing her own original TV projects with leading UK and international TV producers.
Shirley Marr is a first-generation Chinese-Australian living in Perth and an author of young adult and children’s fiction, including YA novels Fury and Preloved, and children’s novels Little Jiang and A Glasshouse of Stars. She describes herself as having a Western mind and an Eastern heart. She likes to write in the space in the middle where they both collide, basing her stories on her own personal experiences of migration and growing up in Australia, along with the folk and fairy tales from her mother. Arriving in mainland Australia from Christmas Island as a seven-year-old in the 1980s and experiencing the good, the bad and the wonder that comes with culture shock, Shirley has been in love with reading and writing from that early age. Shirley is a universe full of stars and stories and hopes to share the many other novels that she has inside her.
Dr Kate Forsyth is an award-winning author, poet, and storyteller. Her most recent novel is The Crimson Thread, a reimagining of ‘The Minotaur in the Labyrinth’ myth set in Crete during the Nazi invasion and occupation of World War II.
Margaret Hickey is an award-winning author and playwright from North East Victoria. She has a PhD in Creative Writing and is deeply interested in rural lives and communities.
Once upon a time, Sulari Gentill was a corporate lawyer serving as a director on public boards, with only a vague disquiet that there was something else she was meant to do. That feeling did not go away until she began to write. And so Sulari became the author of the Rowland Sinclair Mysteries: thus far, ten historical crime novels chronicling the life and adventures of her 1930s Australian gentleman artist, the Hero Trilogy, based on the myths and epics of the ancient world, and the Ned Kelly Award winning Crossing the Lines (published in the US as After She Wrote Hime). In 2014 she collaborated with National Gallery of Victoria to write a short story which was produced in audio to feature in the Fashion Detective Exhibition, and thereafter published by the NGV. IN 2019 Sulari was part of a 4-member delegation of Australian crime writers sponsored by the Australia Council to tour the US as ambassadors of Australian Crime Writing.
Pamela Hart is my married name and The Soldier’s Wife was my first book under that name, inspired by my grandfather’s service as an ANZAC at Gallipoli (see 
Tien's Blurb 