Thank you so much for your time, Candice! I absolutely adored Archer & Bennett and gobsmacked at the opportunity at a Q&A with you.
Warm-Up Quick Qs:
Tea or Coffee? Coffee.
Green cordial or Red Cordial? Red.
Red Wine or White Wine? Both.
Vegemite or Nutella? Vegemite.
Cats or Dogs? Both.
When did you first start writing and what was the road to publication like for you?
I started putting serious words down at about age 12. I’d been writing before then, but on the family computer, which was vulnerable to invasion by my brothers. When my mother got me a computer for my room, I felt like I could write without it being read by anyone I didn’t want to have access to it.
I started submitting manuscripts at 18, and had four failed works rejected by over 200 publishers before hitting on a winner with Hades. The manuscript was originaly accepted by an independent publisher in the UK before that venture collapsed, and I sent it around again in Australia, heavily edited. Gaby Naher decided she would represent me, and she did the hard yards finding someone to take a chance on me at Random House.
Are you a planner? Do you know the ending of your book when you started writing and how it will get there?
I am a very loose plotter for my own work, but working with James Patterson requires me to do extensive planning – 15,000 word outlines and alike. I generally don’t start writing my own work until I have the first quarter worked out in my mind, and then I’ll keep ahead of myself by three or four plot points just so I don’t hit a wall. I never like to know much about the ending. I like it to unravel organically, so that I don’t accidentally foreshadow it along the way or get bored before I get there.
How do you find inspiration for the crime / mystery? Is there a particular publications you read or do you trawl through police reports for past crimes etc?
Basically everything I consume is true crime related, when I have a choice in the matter. I’m married to a very gentle and sweet-natured man, so I have to balance out my gruesome night-time viewing sometimes with lighter content. But I keep up to date with all the latest true crime docos and the dodgy ones from the eighties and nineties, too, for their nostalgic value. I read true crime, I listen to true crime podcasts.
The Neddies list is a good starting point for anyone wanting good quality true crime, but of course, there are great publications from the US which aren’t necessarily well written but valuable nonetheless – sometimes the books are written by FBI agents or profilers etc so they’re not arty but they are packed with useful tidbits.
Which one of Australia’s true crimes fascinate you and why?
Oh, there are so many. I was deeply interested in the Daniel Morcombe investigation – not so much for the processes but for the suspects involved. What a bunch of evil people. And the mystery surrounding the famous blue car still niggles at my mind now and then. There are great lesser-known crimes being reassessed through podcasts right now by The Age etc – the one about Phoebe Hansjuk is great, and the one about Rachael Antonio. I always plug my good friend Amy Dale’s book The Fall about Simon Gittany’s murder of Lisa Harnum. I read the book before we became friends, so I’m not biased. It’s very difficult to move me emotionally – I’m very desensitised to violence. This book disturbed me very much.
How do you find collaborating work? And not just with any author but with one of the biggest names in the publishing industry!
It’s great. In some ways it’s very useful that he’s the most powerful author in the world, in that I can lean on his experience and wisdom whenever I need to – if anyone’s going to know what will work in a sticky spot in a manuscript, or foresee a problem long before I will, it’s him. Yes, of course, it also made the whole endeavour very intimidating in the beginning, because I didn’t want to fail at such a rare and wonderful opportunity. But I’m over that now. We’re onto our third work together at the moment. I think we fit together like Lego pieces.
Has writing changed you as a person? Is it therapeutic? Or is thinking about crime all the time make you a little more paranoid?
On the contrary, before I got to write for a living I was as voyeuristic and weird as I am now, I just didn’t have a ‘legitimate’ excuse for it. I’m that person who will interject into an otherwise everyday conversation with anecdotes about serial killers or facts about dead bodies. People used to think I was the ugly duckling in that way, but now that they realise I was a swan the whole time, I feel free to be me.
What can we expect from you next? Is Crimson Lake a stand-alone novel or is it meant to be a serial too? Any more Archer & Bennett books?
Crimson Lake was meant to be a standalone, originally, but it’s caused such a stir that my publishers across the world all agreed I needed to do another one. I’ve just finished editing Last Chance, the second full novel in the Detective Harriet Blue series with James, so now I’m onto the Crimson Lake II first draft. I don’t know if there will ever be any more Bennett/Archers. I don’t rule it out, but at the moment I have to chase what is best for my career, and it’s moving on with Ted and Amanda, and Harriet and her guys.
You can check out my thoughts on Crimson Lake, here
About the author
Hades, Candice Fox’s first novel, won the Ned Kelly Award for best debut in 2014 from the Australian Crime Writers Association. The sequel, Eden, won the Ned Kelly Award for best crime novel in 2015, making Candice only the second author to win these accolades back-to-back. Also, in the 2015 Davitt Awards, Hades was Highly Commended in the debut category. Her third novel, Fall, was recently published to critical acclaim.
In 2015 Candice began collaborating with James Patterson. Their first novel together, Never Never, set in the vast Australian outback, was released in August 2016. They have also co-written a prequel novella, Black & Blue, as part of the James Patterson BookShots series. They are currently at work on the sequel.
Candice is the middle child of a large, eccentric family from Sydney’s western suburbs composed of half-, adopted and pseudo siblings. The daughter of a parole officer and an enthusiastic foster-carer, Candice spent her childhood listening around corners to tales of violence, madness and evil as her father relayed his work stories to her mother and older brothers.
Bankstown born and bred, she failed to conform to military life in a brief stint as an officer in the Royal Australian Navy at age eighteen. At twenty, she turned her hand to academia, and taught high school through two undergraduate and two postgraduate degrees. She lives in Sydney.